Thursday

Fairy Tales May Come True

Fairy Tales May Come True, They Can Happen To You..

On the battlements, blessèd battlements,
Standing on the battlements of immortality;
O the countless multitudes soon our eyes shall see!
Standing on the battlements of immortality.


Battlements (or crenellation) are the parapets of towers or walls with indentations or openings (embrasures or crenelles) alternating with solid projections. Merlons are the saw-tooth effect or the "teeth" of the battlements.

Battle Abbey at Midnight

Battle Abbey at Midnight


On October 14, 1066, a Norman duke known as William the Conqueror defeated King Harold at the Battle of Hastings. This decisive victory brought the Saxon period of English history to an end and initiated the Norman rule of England. The Norman Conquest would bring many changes to the island, including a new French style of Romanesque architecture and many new churches and monasteries all over the country. After the Battle of Hastings, William went on to conquer other important strongholds further north, such as London and York. But in 1070, his attention returned to the battlefield where it all began when, pressured by the Pope, he founded a Benedictine abbey to atone for the thousands of deaths on that field. The new foundation was dedicated to St. Martin, but it has been known almost ever since as Battle Abbey.
Battle Abbey was built right on the battlefield, with the church’s altar positioned over the site where King Harold fell. Constructed in the Norman Romanesque style, with a round apse and ambulatory, the church was completed in 1094. It was consecrated by the Archbishop of Canterbury in the presence of the Conqueror’s son, William Rufus. The abbey was colonized by four Benedictine monks from Marmoutier monastery near Tours, France. Construction on the remaining abbey buildings, such as the dormitory and cloister, continued throughout the 12th and 13th centuries. The church was extended to the east in the 13th century. In the 14th century, French raids during the Hundred Years’ War required the abbey to improve its defenses. This included rebuilding the gatehouse to the towering edifice that still stands today, beginning in 1338. Later in the same century, the abbey was struck by the Black Death. More than a dozen monks succumbed to the plague and the monastery’s incomes suffered. Battle Abbey was dissolved on May 27, 1538, and the property was given to Sir Anthony Browne. The new owner promptly destroyed the church, chapter house and cloisters, and renovated the abbot’s house into a country mansion. In later centuries the property fell into decline, but it was restored by the duke and dutchess of Cleveland, who lived here from 1857 to 1901. Battle Abbey School was founded in the abbot’s house after World War I. Both the battlefield and abbey were purchased by the nation in 1972 and the site is now administered by English Heritage.

Wednesday

The Castle Lion

The Castle Lion
Lions have been represented figuratively since the Stone Age. Ice age hunters depicted the lion this way in the cultural stage of the Aurignacian more than 30,000 years ago by showing the lionesses of a pride hunting in the same manner as contemporary lions. After that it frequently was the lioness who was represented as the protector and chief warrior of a culture. An early Naqada tomb painting that predates Egyptian culture in northern Africa shows two rampant lions flanking a figure that may be interpreted as a deity.
Sphinx of Egyptian pharaoh Hatshepsut - with unusual rounded ears and ruff that extend strong leonine features to the head of the statue, 1503-1482 BC

Lions also play a role in numerous later ancient cultures. In Ancient Egypt the pharaoh sometimes was represented as the sphinx, a lioness with a human head. The best known representation of this type is the Great Sphinx of Giza. From the earliest written human records, the lioness was recognized as the fierce hunter of the formidable species in Ancient Egyptian and African cultures and was dominant in the pantheons of these ancient cultures as representing warriors and protectors of the country. Egyptian mythology featured images of lionesses such as Bast and Sekhmet from their pantheon. Male rulers might be associated with the son of the goddess, such as Maahes. While the Egyptians ruled over Nubia they documented the worship of Dedun as a god of wealth and prosperity, who was said to be the son of the Nubian lioness deity, although they did not incorporate that deity into their own pantheon. The ancient Egyptians also created naturalistic portrayals of lions as symbols of protection and royal power in addition to the images of mythical sphinxes.

In the near east a long line of cultures used the motif of Lions as both a symbol of primal and royal power. The earliest examples come from Sumer in Mesopotamia. This usage continued throughout the later cultures of the Hittites, Babylonians, Assyrians, Persians and early Islamic cultures like the Umayyads and Abbassids.

In antiquity, lions were common along the southern coast of the Mediterranean, as well as in Greece and the Middle East. In Greek mythology a lion appears in a variety of functions. The Lion Gate of Mycenae features two rampant lionesses who flank a central column representing the major deity of this early Greek culture that dates to the second millennium BC. In later classical Greek mythology, the Nemean Lion was portrayed as a people-eating beast; killing it was one of the twelve tasks assigned to Heracles. In the story of Androcles, one of Aesop's fables, the hero, a runaway slave, pulls a thorn from a lion's paw; when he is later thrown to the lions as punishment for escaping, the lion recognizes him once again and refuses to kill the man. According to the Book of Genesis of the Hebrew Bible, the Israelite Tribe of Judah had the Lion of Judah as its symbol.

The characteristic of the lion as the "king of the jungle" goes back to the influence of The Physiologus, an early Christian book about animal symbolism which spread into many cultures and generally had great influence in Western culture. First written in Greek in the second century AD, the book was translated into Latin in about 400 AD, next into Ethiopic and Syriac, then into many European and Middle-Eastern languages. Many illuminated manuscript copies such as the Bern Physiologus survive. It retained its influence over ideas of the "meaning" of animals in Europe for over a thousand years. It was a predecessor of bestiaries (books of beasts). Medieval poetical literature is full of allusions that can be traced to the Physiologus tradition; the text also exerted great influence on the symbolism of medieval ecclesiastical art.
The winged lion of Mark the Evangelist is the national emblem and landmark of Venice

The royal symbolism of the lion was taken up repeatedly in later history, in order to claim power, for example by Henry the Lion. The ongoing fascination is apparent today by the diversity of coats of arms on which lions are shown in various colours and forms.

Many images from ancient times depict lionesses as the fierce warrior protecting their culture. Since in certain views lionesses seem to have a ruff, often the only clue to this difference between the genders is the lack of a massive mane. When no mane is apparent, the image often is described as a panther or leopard among cultures without familiarity with the nature of lion social organization and hunting strategies for prides. In literary and historical references, note of a figure or an image as depicting a lion may relate to either gender without being specific, and be easily misunderstood, thereby then being drawn with a mane since it is so distinctive.

Images of lions appears on many flags, coats of arms, and emblems. For example, it symbolises the Sinhalese people (Sinhalese Singha = Lion). Local folklore tells of Prince Vijaya, the first of the Sinhalese kings, as being the son of Sinhabahu, who was fathered by a lion. See history of Sri Lanka. Lions are recurring symbols in the coat of arms of royalty and chivalry, particularly in the UK, where the lion is also a national symbol of the British people, and in Ethiopia, where it is a symbol of the Monarchy.